Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Friday, March 25, 2016

Such A Sad Love


"Such A Sad Love"
acrylic on birch panel
5 x 7 inches framed to 6.5 x 8.5 inches
2016
$270.00
email gallery1988melrose@gmail.com for purchase inquiries

Here's my piece for "30 Years Later", opening tonight at Gallery 1988 in LA.
My painting is based not only on Labyrinth's Sir Didymus and Jareth (one of my favorite childhood/teenage movies) but a tribute to my fallen hero, David Bowie.
His recent death was such a blow, even though nothing can ever touch his legacy, and the impact that he made on my young life. 







Sunday, October 16, 2011

Guardians Artwork


"Jareth's Doppelganger"
"Labyrinth" tribute
acrylic on birch panel
11 x 14 inches plus frame
SOLD








"All Hail (Guardians of Metal)"
acrylic on birch panel
11 x 14 inches, plus frame
***SOLD***








"Duell Av Svik (Duel of Deceit)"
acrylic on birch panel
11 x 14 inches, plus frame
***SOLD***

Wednesday, September 21, 2011

Jareth's Doppelganger


"Jareth's Doppelganger"
Labyrinth tribute
11 x 14 inches, 16 x 19 inches framed size
acrylic on birch panel
2011
SOLD

This painting is for Seaside California's Alternative Gallery 's "Guardians" show, which will also feature the beautiful work of Matt Linares and opens October 14th.

This is my second tribute painting to Labyrinth, one of my most favorite movies of childhood and teenage-hood.  I had always loved Jim Henson's muppets as a child, but adding my idol of idols David Bowie to the mix was simply sensory overload in the best possible way.  As a Bowie-obsessed teenager, I watched Labyrinth almost on a constant loop.

The imagery in this painting depicts Jareth (Bowie) in his barn owl form with his double staring intently back at him.  One Jareth balances upon the dream-telling, juggling crystal balls while holding the 13 hour clock in his beak.  Thirteen hours was the amount of time Jareth gave Sarah to solve the Labyrinth before he made her brother his forever.

The other Jareth perches atop the magical peach that bewitched Sarah into the Masquerade scene, and holds one of the masks in his beak.  This scene was always my favorite part of the movie, and I now see how it is a metaphor for childhood emerging into adulthood. 

Since Jareth's character seems to be describable as a duel personality, I wanted these two owls to represent that duality, but to also represent both simultaneously, as if one isn't just good and one isn't just evil, they are both, and just as complex as Jareth's character in the movie.

**More to come about this show and my other included pieces!**